. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Adrian F. M. Smith" . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Adrian Smith's" . . . . . . . . . . . . . . . . . . . . . . . . . "1957-02-27" . . . "1957" . . . . . . . . . . . . . . . . . . . . . "Adrian [Smith]], guitarist], Steve, the engineer or whoever had a finger free at the time\\\". Harris was fond of the development, in spite of the fact that the record did not sell as well as its predecessor in the United States; \\\"I thought it was the best album we did since ''Piece of Mind''. I loved it because it was more progressive\u2014I thought the keyboards really fitted in brilliantly\u2014'cause that's the influences I grew up with, and I was so pissed off with the Americans, because they didn't really seem to accept it. Everyone said afterwards that it was a European-sounding album. I'm not so sure about that. What's a European-sounding album? To me, it's just a Maiden-sounding album.\\\"" . . . . . . . "A. Smith" . . . . . . . . . . . . . "Sir Adrian Smith" . . . . . . . . . . . . . . . . . . . . . "Adrian Smith" . . . . . . . . . "Adrienne Smith" . . . . . . . . "1972" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Adrian Smith Band" . . . "Adrian Smith" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .